Dolly Parton lived her motto: 'More is more'
Dolly Parton's 2001 'Fresh Air' interview: 'More is more' "I've always believed that a part of my magic, if there was any, was the fact that I look so artificial - but I am so totally real, " Parton remarked…
Dolly Parton's 2001 'Fresh Air' interview: 'More is more' "I've always believed that a part of my magic, if there was any, was the fact that I look so artificial – but I am so totally real, " Parton remarked in 2001.
Article outline
- What happened
- The details
- The key numbers
- Background
- Why it matters
- The bottom line
Key points
- From 'Jolene' To Vaccine: Dolly Parton Gets COVID-19 Shot She Supported Fund.
- As a kid in the Smoky Mountains of East Tennessee, Dolly Parton always had what she called "a country girl's idea of what glamour was."
- On writing "I Will Always Love You" for Wagoner when she left the show.
- Dolly Parton, one of country music's most singular performers, has died at age 80.
- The fourth of 12 children, Parton notes she knew early on that she'd go to Nashville to pursue music.
Obtain perks with + Your backing helps create our show feasible and unlocks access to our sponsor-free feed. Dolly Parton lived her motto: 'More is more'. August 26, 202610: 43 AM ET. Heard on Fresh Air. FA: Remembering Dolly Parton.
Dolly Parton performs live for fans at Vector Arena on Feb. 7, 2014, in Auckland, New Zealand. Sandra Mu/Getty Images AsiaPac hide caption. Sandra Mu/Getty Images AsiaPac.
In her 2001 appearance on Fresh Air, Parton informed Terry Gross concerning a woman in her hometown who wore bright red lipstick and had peroxide-blonde hair piled atop her head. Though her mother dismissed the woman as "trash, " to Parton's young eyes, she was the epitome of beauty.
"I thought, 'Ooh, that's what I want to be when I grow up – trash, '" Parton remarked. "So that's where my look came from."
As Parton went on to become the world-famous singer, songwriter, actor, entrepreneur and philanthropist we knew, she leaned into her signature look. It she described as "all the flash and the glitter."
"When they say 'Less is more, ' that's not my motto. Mine is, 'More is more, '" she remarked. "I've always believed that a part of my magic, if there was any, was the fact that I look so artificial – but I am so totally real. And I think when you hear these kinds of songs, I think you know that has to come from the heart."
Parton died in Nashville on Aug. After a brief battle with cancer, 25. She was 80 years old, and had been writing music almost all her life.
"I started playing guitar and writing serious songs when I was about 7 years old, " she remarked. "My mother was always fascinated with the fact that I could rhyme so much stuff."
In practice, the fourth of 12 children, Parton notes she knew early on that she'd go to Nashville to pursue music.
"It wasn't that I wasn't proud of who I was and where I was from, " she notes. "But I had a dream. I wanted to do something with my music. I knew I was going to leave when I was 18 years old. And I graduated from high school on a Friday night, and I left for Nashville on Saturday morning. I was ready to go." On learning to sing in church.
We one of those shouting, healing, holy-roller churches, and it was high-powered. It was great. I really learned to sing in church. It was a free-spirited church, and if you wrote a song – a gospel song, of course – you could obtain up and sing it and play your guitar and whatever. How Dolly Parton wrote the story of a changing America.
There was a lot of that hellfire, brimstone and scaring you to death. They had me so scared of God, I was afraid to talk to him. I really, through the years, discovered my own place with God. And it was when I did that my life has been so peaceful and so rewarding. On writing tragic songs as a kid.
As we applied to hear all those stories back home, I wrote a song, I can't remember exactly how it goes, but it was regarding a boy getting killed in the war. And if they weren't singing those sad-ass songs, they were telling stories regarding it, and that makes an impression on a little child. So I thought that you needed to write songs of tragedy. I thought you had to do that so as to be a mountain singer. Dolly Parton's Long Journey Home. On her early TV appearances, before her family owned a TV.
To me it was the same as singing on radio. I didn't even know really what all it meant regarding singing on television – I just knew it was another place to go singing. They had microphones and it was a show, so I was going to do the show. I don't think I thought regarding whether or not couldn't watch me.
After I did start being like a regular, I purchased the TV – but it didn't last long in the house. Nobody around our area had a television, so everybody would come down and sit on our floor and sit on our couch, watch Gunsmoke and Wagon Train and Woody Woodpecker and all the demonstrates that were on. Daddy couldn't obtain them out of the house to secure ready to go to work. So he remarked, "This damn television's out of here." It didn't matter if I was on television or not. Me and Woody Woodpecker had to go.
On leaving home at 18 to pursue music in Nashville.
I vowed that I wouldn't go home until I had something to show for it, and I didn't. But I was particularly, highly homesick. And then I obtained lucky: I had a Top 10 record, on a song called "Dumb Blonde." " Just because I'm blonde, don't think I'm dumb / 'Cause this dumb blonde ain't nobody's fool." That was my first Top 10 record. So I just knew that that's what I had to do, and that was my destiny.
I know now how lucky I was, 'cause I know a lot of individuals that secured there regarding the same time I did, had twice the talent – still ain't produced it. I know how lucky I've been, and I'm grateful for it every day. Dolly In Nashville: Authenticity That Makes Room For Rhinestones.
On what she learned working on The Porter Wagoner Show for seven years.
I learned how to talk to an audience, and how to be comfortable in front of a camera. I had done TV back home when I was a kid – I had grown up singing on radio and TV back in Knoxville, Tenn. But you have to learn how to not do silly things, not pick your nose and stuff like that, not to scratch your head or nothing, no other parts of your body. Since residents are aware of you, you have to kind of just learn how to be aware that you're on. I'm just like a sponge, I just gather up everything. You don't really realize what all you are learning just by watching professional individuals work.
I had intends to have a solo career of my own. I hadn't planned to obtain caught up with another group. But Porter's show was particularly successful, and it was a thing to do. As I wanted to go on, I informed him that I would for five years. But I stayed two years longer. Since I felt like I needed to go out on my own if I was ever really going to have a solo career, I kept staying and staying, and I kept wanting to go.
Porter was dead against it. He wouldn't hear of it, and he had a fit. We fought a lot. There was a lot of challenges going on. And no matter how I would try to talk to him, I could not create him understand. And I thought, well, why don't you just write a song regarding him? Just say you appreciate him and you appreciate everything he does, and that you'll always love him for everything he's done.
So out of a broken heart, of not being heard or anything, knowing I had to create major decisions that would ultimately change my life forever – and his, for that matter – I wrote that song one night out of great grief and depth, just trying to say the right things to say goodbye.
Sam Briger and Monique Nazareth produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Daoud Tyler-Ameen adapted it for the web.
NPR does not offer or accept funds for coverage or interviews. Anyone who makes such an offer or request is not an NPR employee and does not represent NPR.
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